MARC to Dublin Core Crosswalk
In-class 3 example
inclass3_example.docx (24.672 Kb)
http://www.ncecho.org/ncdc/template.html
<link rel=’schema.DC’ href=’http://purl.org/dc/elements/1.1/’ />
<link rel=’schema.DCTERMS’ href=’http://purl.org/dc/terms/’ />
<meta name=’DC.Title’ content=’Pictorialism in America : $b the Minneapolis Salon of photography, 1932-1946 : the Minneapolis Institute of Arts Christian A. Peterson. ‘>
<meta name=’DC.Creator’ content=’Peterson, Christian A’ scheme=’lcnaf’>
<meta name=’DC.Description’ content=’Minneapolics in the 1930s and 1940s was a Midwestern center for creative amature photography. The exhibitions of the Minneapolics Salon of Photography, presented annually at The Minneapolis Institute of Arts, were central to his popular movement. This catalogue and exhibition critically examine the photographic activities of the Twin city that were representative of an international surge in the formation of camera clubs and the practice of pictorial photography. Pictorialism in America: The Minneapolis Salon of the thirty-three accomplished local photographer and eight nationally known pictorialists who contributed the salons here.’>
<meta name=’DC.Publisher’ content=’Peterson, Christian A’ scheme=’lcnaf’>
The crosswalk is way to transfer database from source to another, for example between Dublin care and MARC 21. It is very useful, then I began to understand more what we have done with MARC record. I used the MARC record from my assignment 2, I am not sure about the fields of Dublin Core: source, relation, coverage. But I think it is very useful course.
Original MARC record
=LDR 00912nam a2200241 a 450
=001 4225529
=005 19830701000000.0
=008 830630s1983 mnua bc 000 0 eng
=010 \\ $a 82062423
=020 \\ $a 0912964162 (pbk.)
=040 \\ $a DLC $c DLC $d DLC
=050 \\ $a TR644.U6 $b M566 1983
=082 \\ $a 779/.09776/5790740176579 $2 19
=100 1\ $a Peterson, Christian A.
=245 1\ $a Pictorialism in America : $b the Minneapolis Salon of photography, 1932-1946 : the Minneapolis Institute of Arts/ $c Christian A. Peterson.
=260 \\ $a Minneapolis, Minn. : $b The Institute, $c c1983.
=300 \\ $a 59 p. : $b ill. ; $c 28 cm.
=504 \\ $a Bibliography: p. 48-49.
=520 \\$a2nd edition.Minneapolics in the 1930s and 1940s was a Midwestern center for creative amature photography. The exhibitions of the Minneapolics Salon of Photography, presented annually at The Minneapolis Institute of Arts, were central to his popular movement. This catalogue and exhibition critically examine the photographic activities of the Twin city that were representative of an international surge in the formation of camera clubs and the practice of pictorial photography. Pictorialism in America: The Minneapolis Salon of the thirty-three accomplished local photographer and eight nationally known pictorialists who contributed the salons here.
=590 \\$aFrom the collection of Michael Mitchell.$5CaOTR
=650 $a Photography, Artistic $x Exhibitions.
=650 $a Photography, Artistic $x Pictorialism. $v American Photography.
=710 2\ $a Minneapolis Institute of Arts.
Assignment 3
<link rel=’schema.DC’ href=’http://purl.org/dc/elements/1.1/’ />
<link rel=’schema.DCTERMS’ href=’http://purl.org/dc/terms/’ />
<meta name=’DC.Title’ content=’Pictorialism in America : $b the Minneapolis Salon of photography, 1932-1946 : the Minneapolis Institute of Arts Christian A. Peterson. ‘>
<meta name=’DC.Creator’ content=’Peterson, Christian A’ scheme=’lcnaf’>
<meta name=’DC.Description’ content=’Minneapolics in the 1930s and 1940s was a Midwestern center for creative amature photography. The exhibitions of the Minneapolics Salon of Photography, presented annually at The Minneapolis Institute of Arts, were central to his popular movement. This catalogue and exhibition critically examine the photographic activities of the Twin city that were representative of an international surge in the formation of camera clubs and the practice of pictorial photography. Pictorialism in America: The Minneapolis Salon of the thirty-three accomplished local photographer and eight nationally known pictorialists who contributed the salons here.’>
<meta name=’DC.Publisher’ content=’Peterson, Christian A’ scheme=’lcnaf’>
The crosswalk is way to transfer database from source to another, for example between Dublin care and MARC 21. It is very useful, then I began to understand more what we have done with MARC record. I used the MARC record from my assignment 2, I am not sure about the fields of Dublin Core: source, relation, coverage. But I think it is very useful course.
Original MARC record
=LDR 00912nam a2200241 a 450
=001 4225529
=005 19830701000000.0
=008 830630s1983 mnua bc 000 0 eng
=010 \\ $a 82062423
=020 \\ $a 0912964162 (pbk.)
=040 \\ $a DLC $c DLC $d DLC
=050 \\ $a TR644.U6 $b M566 1983
=082 \\ $a 779/.09776/5790740176579 $2 19
=100 1\ $a Peterson, Christian A.
=245 1\ $a Pictorialism in America : $b the Minneapolis Salon of photography, 1932-1946 : the Minneapolis Institute of Arts/ $c Christian A. Peterson.
=260 \\ $a Minneapolis, Minn. : $b The Institute, $c c1983.
=300 \\ $a 59 p. : $b ill. ; $c 28 cm.
=504 \\ $a Bibliography: p. 48-49.
=520 \\$a2nd edition.Minneapolics in the 1930s and 1940s was a Midwestern center for creative amature photography. The exhibitions of the Minneapolics Salon of Photography, presented annually at The Minneapolis Institute of Arts, were central to his popular movement. This catalogue and exhibition critically examine the photographic activities of the Twin city that were representative of an international surge in the formation of camera clubs and the practice of pictorial photography. Pictorialism in America: The Minneapolis Salon of the thirty-three accomplished local photographer and eight nationally known pictorialists who contributed the salons here.
=590 \\$aFrom the collection of Michael Mitchell.$5CaOTR
=650 $a Photography, Artistic $x Exhibitions.
=650 $a Photography, Artistic $x Pictorialism. $v American Photography.
=710 2\ $a Minneapolis Institute of Arts.
MARC record
=LDR 00912nam a2200241 a 450=001 4225529 =005 19830701000000.0
=008 830630s1983 mnua bc 000 0 eng
=010 \\ $a 82062423
=020 \\ $a 0912964162 (pbk.)
=040 \\ $a DLC $c DLC $d DLC
=050 \\ $a TR644.U6 $b M566 1983
=082 \\ $a 779/.09776/5790740176579 $2 19
=100 1\ $a Peterson, Christian A.
=245 1\ $a Pictorialism in America : $b the Minneapolis Salon of photography, 1932-1946 : the Minneapolis Institute of Arts/ $c Christian A. Peterson.
=260 \\ $a Minneapolis, Minn. : $b The Institute, $c c1983.
=300 \\ $a 59 p. : $b ill. ; $c 28 cm.
=504 \\ $a Bibliography: p. 48-49.
=520 \\$a2nd edition.Minneapolics in the 1930s and 1940s was a Midwestern center for creative amature photography. The exhibitions of the Minneapolics Salon of Photography, presented annually at The Minneapolis Institute of Arts, were central to his popular movement. This catalogue and exhibition critically examine the photographic activities of the Twin city that were representative of an international surge in the formation of camera clubs and the practice of pictorial photography. Pictorialism in America: The Minneapolis Salon of the thirty-three accomplished local photographer and eight nationally known pictorialists who contributed the salons here.
=590 \\$aFrom the collection of Michael Mitchell.$5CaOTR
=650 $a Photography, Artistic $x Exhibitions.
=650 $a Photography, Artistic $x Pictorialism. $v American Photography.
=710 2\ $a Minneapolis Institute of Arts.
